Pastel Pop….

Dress: Vintage

Shoes: Irregular Choice

Nails: Numerous shades of Barry M

The past week I think I’ve worked harder than I’ve ever worked before. Hence the lack of blog posts. I’m pretty much surviving on coffee at the moment but I finally feel like it’s paying off, things are really starting to come together. As I haven’t done a post for a whole week I have a huge amount to write about, so make yourself a coffee and settle in for a while…..

Firstly here’s a picture of the pintucked and pleated women’s dress that I recently blogged about, I’ve made the bias-cut slip to go underneath it and it really finishes it off. I used a silk twill for the lining, it’s a bit thicker than the ponge I was going to use and so I don’t feel concerned that the dress would still be too sheer. It was quite strange putting it together, as it is a 1920s pattern the seam allowance on it was 1/2″. I’m used to sewing 1cm seam allowances and to sew such a wide one seemed more difficult!! It also didn’t look as neat once I’d pressed it open to have such a wide seam so I have overlocked the extra off to make it look neater on the inside.

This has been one of the hardest things I’ve ever done but I am really pleased with it. The only thing left to do is to sew in the press studs and finish the hem. I’ve decided that the best way to do this is to just use fray stop on the edge, I think that anything else I do to the pleated edge will spoil the line of it and look to bulky.

This is the pintucked bodice for the second ladies dress:

Again, I am immensely proud of the construction of this. The silk chiffon I have used for both these dresses has been very challenging to work with as it is so slippy and stretchy. I’ve french seamed the armholes, neckline and all side seams. It looks perfect and I feel that it is made to professional standard. I’ve tried to take a photograph of one of the french seams but I’m not sure if you can really tell what it is:

This bodice is ready to be sewn onto the ruffle skirt, I have been fray stopping the raw edges every evening for the past week! I’m almost there, if I were to make this again I would probably have used something that wouldn’t fray so badly so that I wouldn’t have had this extra labourious task. But then on the other hand I don’t think anything else would have the same effect, it falls so beautifully and feels so light and delicate. Here’s a little close up to give you an idea:

This week I’ve also been working on the final ladies dress, I thought this one was going to be really straight forward but as per usual it was harder and took longer than I expected!!! It was the pintucked panels that caused me the problems…again! I had thought that as the silk linen is much crisper they would be easier to keep even, but I stitched the first three and they just didn’t look quite right. They weren’t perfectly straight or the perfect distance apart even though I had notched and pressed the tucks first. The only way I could overcome this was to unpick them and draw on the lines with a vanishing pen. This kept them the right distance apart and lovely and straight:

I’ve also hand painted the wing design onto the other panels:

This technique has been really effective, the wing is obviously very stylized. If I had done it exactly it would have taken me even longer, each little section would also have been much larger and I just don’t think that it would have had the same impact. I think that it has as much of an impact as printing the image would have done and the lines still look beautifully crisp. On the bottom panel I did have to extend the wing a little further across than I had originally planned, just as I was putting everything away I got a spot of the fabric paint about 8cm away from where I had finished the wing. I wanted to cry, but I have managed to extend it so that it doesn’t just look like I’ve stuck a bit extra on. On my original drawing I had planned to put a small painted section on the bottom left hand corner of the skirt too, but after I had done all the right hand side I have decided that any more on it would be a bit overwhelming and take away from the impact that it has. So this dress is all ready to be joined together too. That means the womenswear designs are almost complete.

Today I’ve also fitted the last two of the childrenswear toiles to the models.  I need to shorten the sleeve length on the dandelion pintucked dress by about 7cm as I want it to be just below the elbow but other than that it fits her perfectly. The child’s dragonfly dress also fitted well although the little girl is small for her age and I have had to shorten the dress length by approximately 5cm. I’ve got these cut out and overlocked now and so am planning on get the hand painting done on them tomorrow and then fully constructed on Sunday. I’m hoping to photograph the dragonfly dress on Monday afternoon and the Dandelion one next Friday. I’ve found a location just down the road from uni so I’m hoping it won’t be too much hassle for the children’s parents to get them there:

I have also completely finished the pleated wing sleeved child’s dress so this is ready to be photographed too. However, I need to speak to my lecturer Lindsay (it’s her daughter modelling this dress) to see whether she might be available for a photoshoot next Friday too. I haven’t taken a photo of it but it looks really beautiful, simple yet striking. The pleated fabric did actually make it rather more difficult to put together than I had expected though!! As with the ladies dress with the pleated panels, I had cut the wings out whilst still between its special layers of paper and then stitched across the top edge to hold the pleats in place before carefully tearing the paper out. I don’t know if it was because they were much larger pieces and not just a straight edge but the paper was much, much more difficult to remove from inside the pleats. In fact it was a total nightmare and although I was ridiculously careful when removing the little remnant of paper it did pull the pleats out of line ever so slightly. Even with the line of stitching holding them in place, it was really difficult to keep them perfect when putting them into the side seams of the dress. I was worried about this, particularly because the pleated fabric is silk georgette that frays even more so than the chiffon of the ladies dresses and so I really didn’t want to risk having to unpick it. The only way I could eliminate this risk was to tack them in by hand and notch where the sleeve should end on the side seam, ensuring they were level. Another time consuming task! I will write more about this dress tomorrow once I’ve taken some photos of it, the light in here is too bad to get decent pictures of it.

Advertisements

One response to “Pastel Pop….

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: